Anna Gore’s painting and installation practice conjures associations with contradictory, layered, unseen or unfixed experience. This work considers the discipline of abstract painting as an alternative means of understanding worldly experience, at a remove from familiar knowledge and meaning. Here, form and process are informed by the realm of feeling, aesthetic experimentation, and an appreciation for the open-ended relationship abstract painting bears to subject matter. The constant fluctuations of the felt dimension of daily experience and the network of possible references a painting might possibly engage (including those that may only arise in the future) provide a means for furthering this work.