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ATMOSPHERIC PRESSURE
The art of Joe Felber has developed as a significant practice over a lifetime spent living and working in cities and major art centres in Europe and America. Here in Adelaide we see the benefits of this time-honoured practice layered with the artist’s longstanding concerns.
Joe’s title piece in this exhibition is a result of constant change, mapping the rhythms with the disruption of the world in mind. Multiple records of atmospheric pressure might also be echoed in human emotional turbulence. Joe mimics the process - adding, subtracting, leaving it open to reflect the scientific evidence and the layered and integrated maps of an unsettled world.
ATMOSPHERIC PRESSURE
The art of Joe Felber has developed as a significant practice over a lifetime spent living and working in cities and major art centres in Europe and America. Here in Adelaide we see the benefits of this time-honoured practice layered with the artist’s longstanding concerns.
Joe’s title piece in this exhibition is a result of constant change, mapping the rhythms with the disruption of the world in mind. Multiple records of atmospheric pressure might also be echoed in human emotional turbulence. Joe mimics the process - adding, subtracting, leaving it open to reflect the scientific evidence and the layered and integrated maps of an unsettled world.
Concept 3-4-9
Oxide pigment on raw Belgian linen
40 x 40cm ea, 122 x 122cm overall
The Man Who Drinks Petrol
Coated masonite acrylic and graphite
44 x 44cm
Atmospheric Pressure Exceeds Emotional Turbulence
Acrylic, charcoal & coloured pencil on marine plywood
Four panels of 60 x 60cm ea
120 x 120cm overall
Colours over Time
Pigments on marine plywood
44 x 44cm
Spills
Nations Collapsing