Your Custom Text Here
Interferometry - a half silvered mirror.
Duplex takes a chance with the opportunity of exhibiting together. Rather than two individual hangs in the same gallery, we formed the idea of works interfering with each other in order to foreground the idea of relationship. It resulted in a sort of ‘play till someone gets hurt’, but also in the potential to create a new and expanded reading of our works.
Interferometry is an interesting technique that uses light to measure distance. It employs a half silvered mirror to split a single beam of coherent light in two beams that travel along separate paths. When these two beams are recombined (superimposed), a relative constructive or destructive interference occurs - an adding to or subtracting from each other that results in lightness or darkness. But what does this have to do with this exhibition?
Betty’s notions of the catalogue, the scientific and historical listing and dissection of knowledge into orders, especially botanical, and Greg’s tendency toward a more iconoclastic endeavour, would seem at first to have little in common. But we do share a long standing couple relationship. We live and work together in somewhat compromised home studios at opposite ends of a house in Torrensville. So there should be something going on! Some leakage, some evidence of relationship, a something of one in the other.
What part do our relationships play? We sign our works but are they entirely autonomous? And what play of influence and originality occur in the things we all make?
Interferometry - a half silvered mirror.
Duplex takes a chance with the opportunity of exhibiting together. Rather than two individual hangs in the same gallery, we formed the idea of works interfering with each other in order to foreground the idea of relationship. It resulted in a sort of ‘play till someone gets hurt’, but also in the potential to create a new and expanded reading of our works.
Interferometry is an interesting technique that uses light to measure distance. It employs a half silvered mirror to split a single beam of coherent light in two beams that travel along separate paths. When these two beams are recombined (superimposed), a relative constructive or destructive interference occurs - an adding to or subtracting from each other that results in lightness or darkness. But what does this have to do with this exhibition?
Betty’s notions of the catalogue, the scientific and historical listing and dissection of knowledge into orders, especially botanical, and Greg’s tendency toward a more iconoclastic endeavour, would seem at first to have little in common. But we do share a long standing couple relationship. We live and work together in somewhat compromised home studios at opposite ends of a house in Torrensville. So there should be something going on! Some leakage, some evidence of relationship, a something of one in the other.
What part do our relationships play? We sign our works but are they entirely autonomous? And what play of influence and originality occur in the things we all make?
Leaving Home and Coming Home Again
Acrylic & oil on plywood, 120 x 90cm
Oil on plywood, 6 @ 56 x 56cm
Dorm
Oil on plywood
55 x 93cm
Denier
Wool and mesh, 30 x 30 x 4cm
Oil on plywood, 61 x 61cm
Home by the Sea (May Not Be)
Oil, acrylic and glass, 30 x 40cm
Glass and branches, Dufex print, 90 x 60 x 20cm
Home Stereo 1
Oil on plywood, 2 @ 55 x 45
Oil on plywood, 61 x 61cm
Home Stereo 2
Oil on plywood, 2 @ 55 x 45cm
Oil of plywood, 61 x 61cm
Flightplan
Oil on plywood
100 x 110cm & 47 x 36cm
Florascope
Oil on plywood
6 @ 60 x 60cm (approx)
Payback
Oil on plywood, ink & mesh
68 x 81cm & 56 x 56cm
Seance
Oil, plywood, paper, birch & mesh
210 x 140cm installed