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To be translucent, light does not pass directly through a medium: it changes direction and is scattered as it passes through. It is neither opaque nor transparent – thus to be translucent means to glow subtly, to blush luminously.
These qualities are abundant in Margie’s layered abstractions that reveal surfaces hovering over more surfaces, densely coloured yet pulsing radiantly. It is a world into which the viewer can fall, absorbed by its depths. Her many years as a printmaker inform her decisions and powerful sense of colour structure.
To be translucent, light does not pass directly through a medium: it changes direction and is scattered as it passes through. It is neither opaque nor transparent – thus to be translucent means to glow subtly, to blush luminously.
These qualities are abundant in Margie’s layered abstractions that reveal surfaces hovering over more surfaces, densely coloured yet pulsing radiantly. It is a world into which the viewer can fall, absorbed by its depths. Her many years as a printmaker inform her decisions and powerful sense of colour structure.
Suspension 2
Oil on linen
125 x 110cm
At the Margins
Oil on linen
80 x 80cm
Pink Green Divide
Oil on linen
115 x 157cm
Grid for Joy
Oil on linen
80 x 80cm
Rhythm and Pink
Oil on canvas
94 x 108cm
Primary Arrangement 2
Oil on linen
62 x 58cm
Primary Arrangement 1
Oil on linen
114 x 85cm
Outside In
Oil on linen
115 x 157cm
Suspension 1
Oil on linen
125 x 110cm