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Working intuitively with colour and form, I find the efficacy of painting affords a simultaneous vigour between materiality and action. Moving in and out of an additive and subtractive approach, the process generates a dialogue of push-pull energy and feels analogous to conversation: exploratory, vulnerable, revealing/concealing, spatial, of time.
Working intuitively with colour and form, I find the efficacy of painting affords a simultaneous vigour between materiality and action. Moving in and out of an additive and subtractive approach, the process generates a dialogue of push-pull energy and feels analogous to conversation: exploratory, vulnerable, revealing/concealing, spatial, of time.
said/unsaid
Oil & acrylic on canvas
152.5 x 122 cm
push/pull I
Oil on Arches paper
36 x 28 cm
push/pull II
Oil on Arches paper
36cm x 28 cm