Beginning as heterogenous collages of image, sound, and text, each work in Extra Virgin was pushed towards visual collapse through subversive intervention and error prone translation. Assemblages of digital artefacts are produced, corrupted, and recycled into new aesthetic outcomes, translated off-screen, and returned to the computer in a regenerative cycle of transformation and convergence. These selected prints emerge as fragments of actualised noise, tangible tokens that represent the physical traces of my critical wanderings between media and across mediums.